Saturday, March 21, 2009

Goodbye...For Now


What’s goodbye?
A capitulation or an enticement?
A cessation of breathing or a struggling pause?
A comma or an exclamation point?

Various responses suffocate
the growing magnitude of its certainty.
A goodbye is not short-lived, rather
it is an ice age.

So, goodbye to what?
An apple core,
Or just a soul,
Or a speck of dust
settled across the back
of a butter bar.

This goodbye, I say
restraining a tear,
is an antediluvian struggle
for survival.

Thursday, March 19, 2009

wet hair




I saw wet hair
silent and mellifluous
indifferent.

Until you turned around,
wet hair and freckled shoulders

and the vision

turned into our reality

Tuesday, March 17, 2009

Another rainy day


Another rainy day. He thought it was always like that, that the rain suppressed a certain stimulus of his brain’s machinery. It was as if his brain was composed of strips of paper that shriveled when they became wet.

He was okay. He slept well, and awoke with the noise of the rain trapped between his ears. It was a synaptic reaction, completely unconscious. His mood fell further, and he thought that maybe it was better to not get out of bed.

But he did, because of his sense of duty to the job. And that’s how his thoughts tricked him. They hurled him towards dark thoughts, towards a new dictum for his life. “You should wait until the end to render a verdict”, his other voice told him. But it doesn’t matter, his thoughts continued, ignoring the other possibilities his mind screamed out. There’s nothing to lose.

He thought of his sense of duty to his job, of the word “duty”, of all his obligations, not only the financial ones, all his financial debt drowning the sanity in his house in between screams and threats, and the obligatory tension arising within the ascetic pecuniary climate that accompanies every recession. It was the word “duty” as antonym of liberty, as its opposite force. Duty as chains, as expectations. That’s why he admired artists, because they had no obligations, except towards their art. The rest could burn as a meteorite of indifference. But that wasn’t him: his artistic underpinning crushed by his scientific duty; his artistic capacity drowned by expectations. Always living off the expectations. Even if he denied it, even if he boasted that his life was his and he was in command, he knew the reality of it all: the stares full of disdain; the sarcastic, ironic or duplicitous comments; the feigned support that was later withdrawn when threatened.

That’s how he lived.

And it was when he met Her that he felt a breadth of fresh air, a sense of liberation. For nothing. So that in the moment of truth, he would continue living off the expectations. So that when the time came, he would return to this role as an agonizing protagonist, victim of his destiny, about to obtain his liberty, but afraid of the final jump. Why?

Because he was afraid. “Better the devil you know than the devil you don't”. Because he wouldn’t risk losing everything to gain everything. Because a glimmer of doubt grew like a cancer. A doubt silenced by a whispered “I love you”; a doubt that, in the absence of these words, eclipsed everything else.

Afraid. That’s how he lived his life.

Georges DiStefano Folly
The Book of Absent Fears

Sunday, March 15, 2009

Fear (Redux)

What is fear?
It is the absence of reality.
The poisonous scab that ails us.
A virtue, to despise what we want.

To bite the apple, thinking of the original sin.
To kiss the lips that will betray you.
To look for inexistent options.

Or to not look for them.
To lag behind, sheltered by a cinematic and mimetic
normality,
sheltered by ears cloistered in sarcasm,
in a constant moan of
inaction.

What is fear?

It is a law of physics, the absence of momentum,
a convalescent vector.

It is inscrutable, unfathomable,
like a black hole,
or a smile distilled
by alcohol.

Saturday, March 14, 2009

miedo.com


¿Qué es el miedo?

Es la ausencia de realidad.
La costra ponzoñosa que nos aqueja.
La virtud de despreciar lo que queremos.

Es morder la manzana pensando en el pecado capital.
Es besar labios que te traicionarán.
Es buscar opciones inexistentes.

O no buscarlas,
quedar rezagado, al amparo de
una normalidad cinemática y
mimética,
al amparo de unos oídos satíricamente enclaustrados
en un constante gemido
de inanición.

¿Qué es el miedo?

Es una ley física, la falta de impulso,
un vector convaleciente.

Es inescrutable, insondable,
como un agujero negro,
o una sonrisa destilada
por el alcohol.

Saturday, March 7, 2009

Vapors


Empty room
its geometric façade shines
at its brim,
no whispers heard, no breath, all
the vapor is gone. Gone.

Naked room
flourishes at its seams, just where
you used to lay
crumpled and abandoned,
lost, gone

the bathtub becomes a blurry
mirage
History unkind to its
devotees


How did it happen? All mirages end with the morning
How wispy, the air dew.
here suddenly gone? This one persists